1328 hand-tested AI prompts across image, video, and music — each with full context, variables, and a sample output. Content is authored in Traditional Chinese; the UI here is English.
建築片的關鍵不是形容詞而是「機位高度＋光的來源」——street-level eye-lin…
景觀提案要秀的是動線不是造型，所以寫 wide pedestrian circulation…
把「時間」當成提案賣點——用 transforming from A to B 指定起訖狀態…
Vidu Q3 吃「場景→鏡頭→動作→色盤→負面詞」五段，每段一句話。動作寫 rotates…
i2v 拿真實產品照時，模型最愛「順手美化」把 logo 和外型改掉。這句用 Preserv…
One opening line, "Stop-motion style animation," locks in the frame rate and tactile feel, and what follows is a "…
The biggest risk with brick-built subjects is an explosion rendered as a generic fireball; this prompt explicitly specifies "bursting into a slow-motion cloud of scattered bricks," letting the material logic explain itself…
Runway's official examples always use four sentences — the first covers only the camera position, the second only the setting, the third only the action, the fourth only…
The camera is locked and all the action is handed to the arriving train — an empty platform first sets a clean static baseline, then the doors open to reveal a packed car, landing the before/after contrast…
The payoff in restoration content is the "gap," not the process, so "before-and-after" is stated right at the start of the sentence as the format declar…
"Piece by piece" is the engine of this prompt — it forces the model into a "one part at a time" rhythm instead of suddenly…
It first declares "locked, static camera," then uses a full sentence, "The camera never moves; every bit of motion is..." to pin down…
The sentence explicitly states "The audio leads the shot," which tells the model to build the visual rhythm around the sound…
Element counts are pinned down exactly (seven pairs of dot-work, two fern leaves), whitespace is written in metric units (at least 8mm between each element), and the finished size is also written in...
`Change only the rendering` cleanly separates 'what to change' from 'what must not change,' and adding...
What makes a composite look fake always comes down to looking 'pasted on' — this line pins down, item by item, that it should compress over muscle bulges, blur slightly at the edges, and pick up the original photo's exposure and...
The fastest way to test whether a composite image is real is to make it move — lock the camera and let only the shoulder blade move; if the ink stretches with the skin, it's real, and if it...
The whole prompt is just three things — one action, three hammer strikes plus a quench sizzle, and one light source. Writing the strike count as a number (Three ring...
The selling point of molten material is that it 'glows on its own and can be stretched' — the two verbs `glows and stretches` handle the...
Split into four sections — visuals/camera, color grade, audio, and specs — one entry is a complete spec sheet for a short video; the audio section calls out background sounds like "the oven door creaks with a squeak"…
It opens with one thematic line (built around the idea of starting aga…
Ray3 responds to 'secondary motion' — the chain reactions a main action triggers, like a skirt hem flaring out or hair flowing; writing that in is what lets it...
`backpack bouncing` and `breathing visible in cold air` are two low-cost switches for realism.
The key to an infographic is carving out the sections first — quoting each of the three section headers by name in quotation marks keeps the model from blurring text into pure decoration; adding...