PROMPTS
1346 original and curated AI prompts across image, video, music, and tutorials. Browse by tool, use case, and difficulty; each entry shows its available notes and examples.
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Cinematic Sci-Fi Establishing Shot for Veo
Veo 3.1 has the deepest grasp of cinematic camera terminology — dolly zoom, rack focus, anamorphic looks, and more all execute correctly. Ideal for sci-fi openings, cinematic-style ads, and trailer intros.
A ceramic cup reveal with restrained motion and layered sound
A slow push-in, one placement action and distinct sound layers for tactile footage.
極簡混凝土住宅・黃昏推軌入場
建築片的關鍵不是形容詞而是「機位高度＋光的來源」——street-level eye-lin…
城市廣場景觀・正午空拍平移
景觀提案要秀的是動線不是造型，所以寫 wide pedestrian circulation…
庭園夏轉秋・季節遞變縮時
把「時間」當成提案賣點——用 transforming from A to B 指定起訖狀態…
Bricks Self-Assemble into a Clockwork Owl
One opening line, "Stop-motion style animation," locks in the frame rate and tactile feel, and what follows is a "…
Building-Brick Space Battle: Exploding into Scattered Pieces
The biggest risk with brick-built subjects is an explosion rendered as a generic fireball; this prompt explicitly specifies "bursting into a slow-motion cloud of scattered bricks," letting the material logic explain itself…
Rusty Bike Restored to Chrome — Vertical Before-After
The payoff in restoration content is the "gap," not the process, so "before-and-after" is stated right at the start of the sentence as the format declar…
Robotic Arm Assembles a Mechanical Keyboard Key by Key
"Piece by piece" is the engine of this prompt — it forces the model into a "one part at a time" rhythm instead of suddenly…
Boxer Combo, Locked Camera — All the Motion Goes to the Subject
It first declares "locked, static camera," then uses a full sentence, "The camera never moves; every bit of motion is..." to pin down…
Waves Breaking on Rocky Shore — A Seascape Led by Audio
The sentence explicitly states "The audio leads the shot," which tells the model to build the visual rhythm around the sound…
Blacksmith Hammering a Glowing Red Horseshoe
The whole prompt is just three things — one action, three hammer strikes plus a quench sizzle, and one light source. Writing the strike count as a number (Three ring...
Glass Workshop: Molten Glass Stretched Into a Bottle
The selling point of molten material is that it 'glows on its own and can be stretched' — the two verbs `glows and stretches` handle the...
Morning Bakery Montage
Split into four sections — visuals/camera, color grade, audio, and specs — one entry is a complete spec sheet for a short video; the audio section calls out background sounds like "the oven door creaks with a squeak"…
Bakery Reopening — Dialogue-Free Brand Film
It opens with one thematic line (built around the idea of starting aga…
Bouldering Dyno Move, Dynamic Cut
The 'make-or-break instant' is written as the shot's explicit task (catching the upper hold perfectl...
High Jump Fosbury Flop Over the Bar
Naming the specific technique outright (Fosbury flop) plus the approach-run curve and takeoff foot means the model doesn't have to guess the posture; 'the bar quivering slightly after clearance...
Backcountry Cliff Drop, Deep-Snow Spray
Defining the soundtrack negatively — 'silent except for the edge cutting through snow' — forces a sense of emptiness far better than listing a string of sound effects; waist-deep...
1980s Late-Night Office, Exhausted Office Worker
Google's own official example of the textbook answer for the five-part 'subject + action + setting + lighting + style' formula; two light sources (cold white...
Same 'Laugh' Reshaped by Context
Instead of adjusting performance with adjectives, write 'where she is and how she feels after laughing' — swap the context around the same verb and the model works out the volume, duration, and...
Music Festival Stand-Up: Specify Ambient Sound, Exclude Studio Laughter
Native-audio models love to auto-add canned laughter — you have to exclude it negatively with (no studio audience) and then...
Gorilla Selfie POV, Arm in Frame + Lip Sync
The key to a convincing selfie feel isn't the word 'selfie' itself, but writing 'the arm must be clearly visible in frame' as a hard composition requirement; the closing...
Circular-Object Match Cut Morph
First/last frame only gives you the two endpoints — this line carries the entire middle: it locks down the three keys of a match cut: wha...
Old-to-Renovated Before/After Transformation
Before/after shots most easily turn into a hard swap in the last second — `across the clip` requires the...